 
						
					 
						
					 
						
					 
						
					 
						
					 
						
					 
						
					 
						
					This book was co-edited with Museo de Arte Latinoamericano de Buenos Aires (MALBA), in coincidence with the exhibition “Mundo Propio. Fotografía moderna argentina 1927-1962”, curated by Facundo de Zuviría. It compiles works by prominent Argentinean and foreign photographers based in Buenos Aires who, from de 1930’s, introduced a modern way of thinking to their discipline, aspiring to position photography in the same hierarchy as other artistic expressions.
It includes photographs by Juan Bechis, Horacio Coppola, José Costa, Alicia D’Amico, Juan Di Sandro, Gisele Freund, George Friedman, Manuel Gómez, Annemarie Heinrich, Alex Kein, Sameer Makarius, Hans Mann, Julio Maubesin, Rodolfo Ostermann, Pedro Otero, Humberto Rivas, Anatole Saderman, Ricardo Sansó, Fred Schiffer, Nicolás Schonfeld, Boleslaw Senderowicz, Grete Stern, Augusto Ignacio Vallmitjana and Sivul Wilensky.
 
						ESCENOGRAFÍA PARA UN SUEÑO, 1961
Alicia D'Amico
 
						EVA PERÓN, 1944
Annemarie Heintich
 
						JENNIFER, 1955
Fred Schiffer
 
						MANOS, CA. 1955
George Friedman
 
						SIN TÍTULO, CA. 1956
Grete Stern
 
						AV. CORRIENTES DESDE EL OBELISCO, 1936
Horacio Coppola
 
						AUTOBÚS, 1959
Humberto Rivas
 
						ALAMBRES, 1957
Ricardo Sansó
 
						